Syntactic and axiological interferences in tapestry, printing and painting of Vasile Grama
DOI:
https://doi.org/10.52673/18570461.24.4-75.19Keywords:
tapestry, printing, easel painting, image, syntax, metaphor, symbol, messageAbstract
Vasile Grama, a plastic artist who has distinguished himself throughout his creative career in various genres of fine and decorative arts, reflects through his works the artistic aspirations of a generation of artists from the Republic of Moldova who harmoniously combine post avant-garde stylistic landmarks with the representative traditions of folk art. Consistently practicing artistic tapestry, silk printing and easel painting for several decades, the painter has defined his stylistic individuality through a relevant conceptual-thematic repertoire and the development of a distinctive expressive area. The originality of his creation lies in in his innovative approach to structuring the composition of the image's plane and space, the means of artistic expression being guided by constructivist methodologies, which enable the generation of messages with profound associative impact.
References
1. Spînu, C. Arta decorativă din Republica Moldova. Anii 1991-2021. Chișinău: Epigraf, 2023. 488 p.
2. Brigalda, Eleonora. Simfonia calmului reconfortant, În: Atelier nr. 1, 2003, 24-25.
3. Simac, Ana. Tapiseria contemporană din Republica Moldova (Evoluția tapiseriei contemporane din Republica Moldova în aniii 1960–2000). Chișinău: Î.E.P. Știința, 2001. 160 p.
4. Procop, Natalia. Arta textilă din fondurile Muzeului Național de Artă al Moldovei. În: Arta, 2013, 124-130.
5. Procop, Natalia. Batik-ul din Moldova. Chișinău:
S. n., „Balacron”, 2017. – 134 p.: il.
Downloads
Published
License
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
