Study of Arts and Culturology

All Items

• ”Don Quichotte à Dulcinée” by M. Ravel: the interpretative potential of the author's treatment of the text

  Ecaterina Crasnova-Severin

  181-188

• Two decorations conferred on Alexandru Marghiloman (1888, 1895)

  Laurențiu-Ștefan Szemkovics

  153-157

• The unheard voices of silent cinema: Violeta Dinescu's music for F.W. Murnau's "Tabu" and "Nosferatu" movies

  Valeria Barbas

  166-170

• The topicality and value of the work of sculptor Alexandru Plămădeală

  Liliana Condraticova

  169-174

• The symbolic dimension and philosophical reflection in the easel graphics of Violeta Diordiev

  Dorina Chicu

  261-270

• The suites of Aleksandr Mulear: a historical and documentary approach

  Daniela Trocinel

  156-161

• The image of woman in the creation of Valentina Rusu Ciobanu

  Rodica Ursachi

  170-176

• The educational potential of the documentary film genre

  Virgiliu Margineanu

  157-165

• The dialogue between the tangible and the intangible in the art of Inessa Țâpina

  Dorina Chicu

  178-187

• The craft of pottery in Banat, past and present. case study: the pottery Center in Jupânești (Timiș county)

  Maria Hadiji

  162-169

• The contribution of female film directors from the Republic of Moldova to the development of national cinematography (1991–2025)

  Radu-Dumitru Zaporojan

  173-177

• Tehnicile extinse la acordeon ca repere conceptuale și interpretative esențiale în ciclul Expanding Space pentru acordeon solo de Ghenadie Ciobanu Extended techniques on the accordion as essential conceptual and interpretive references in the ”Expanding

  Sergiu Mirzac

  189-195

• Syntactic and axiological interferences in tapestry, printing and painting of Vasile Grama

  Constantin Spinu

  171-177

• Stylistic and structural peculiarities of the sonata ”Ludus Fistula” for flute and piano by Pavel Rusu

  Maria Serbinov

  150-154

• Sonata no. 2 "Romantică" for clarinet and piano by Oleg Negruța: artistic and technical-performance aspects

  Radu Cazac

  253-260

• Social sculpture and the right to the city: Ștefan Rusu’s artistic practice between modernist architecture and post-socialist public spaces

  Lilia Dragneva

  196-204

• Romances by Alexei Stârcea on the lyrics of Anatol Gujel: imaginary structure, musical language, interpretative tasks

  Elena Bugor

  159-164

• Peculiarities of image formation in ceramics and artistic printing of Tatiana Vatavu

  Constantin Spinu

  165-170

• Metamorphoses of the landscape in the artwork of artist Timotei Bătrânu

  Constantin Spinu

  162-168

• Interpretative aspects of the romance ”Pe lângă plopii fără soț...” in its own interpretative vision

  Diana Valuta-Cioinac

  155-160

• Ghenadie Jalbă between tradition, drama, and modernity: the evolution of a complex visual language

  Constantin Spinu

  183-192

• Dumitru Peicev. The tribute to art

  Dorina Chicu

  161-166

• Die Metamorfosen for vibraphone, tamburine, bongos, and marimba – an example of genre "composition" in the instrumental chamber works of Boris Dubosarschi

  Inessa Sedih

  178-182

• Conducter Constantin Pigrov (1876–1962) and his role in the formation ”Doina” Academic Choral Chapel

  Natalia Blindu

  151-155

• Commemorative Exhibition "Aurel David (1935–1984) – painting and graphics" (National Art Museum of Moldova, 2025)

  Iuliana Gherman

  184-187